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Jafar Panahi



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Iranian filmmaker Jafar Panahi (b. 1960) is as famous for his remarkable films as for his courageous defiance of Iran's state censorship. Panahi achieved international recognition with his feature film debut, The White Balloon, the first Iranian film to receive an award at the Cannes Film Festival.His subsequent films--The Mirror, The Circle, and Offside--continue to receive acclaim throughout the world, yet they remain largely unseen in his own country due to years of conflict with the Iranian government.In spite of multiple arrests, a brief imprisonment, and a ban on making movies and giving interviews, Panahi speaks openly and passionately in this unique, invaluable collection of twenty-five interviews, open letters, and his own court statement, in which he makes a compelling case for artistic freedom and humanism. Many of these documents have been translated from Persian and appear in English for the first time, including an interview done exclusively for this volume.In sparkling, lively interviews, Panahi reveals his influences, politics, and filmmaking practices. He explains the challenges he faces while working within (and often around) Iran's heavily restricted film industry, providing the reader a unique vantage point from which to consider Iranian cinema and society.






Iranian filmmaker Jafar Panahi (b. 1960) is as famous for his remarkable films as for his courageous defiance of Iran's state censorship. Panahi achieved international recognition with his feature film debut, The White Balloon, the first Iranian film to receive an award at the Cannes Film Festival.His subsequent films--The Mirror, The Circle, and Offside--continue to receive acclaim throughout the world, yet they remain largely unseen in his own country due to years of conflict with the Iranian government.In spite of multiple arrests, a brief imprisonment, and a ban on making movies and giving interviews, Panahi speaks openly and passionately in this unique, invaluable collection of twenty-five interviews, open letters, and his own court statement, in which he makes a compelling case for artistic freedom and humanism. Many of these documents have been translated from Persian and appear in English for the first time, including an interview done exclusively for this volume.In sparkling, lively interviews, Panahi reveals his influences, politics, and filmmaking practices. He explains the challenges he faces while working within (and often around) Iran's heavily restricted film industry, providing the reader a unique vantage point from which to consider Iranian cinema and society.


Jafar Panahi asks for Golden Bear winner Taxi to be shown in Iran The Iranian director who is not allowed to leave the country said no prize is worth as much as my compatriots being able to see. All Films Fandango US Amazon US Amazon Video US iTunes US Upgrade to a Letterboxd Pro account to add your favorite services to this listincluding any service and country pair listed on JustWatchand to enable oneclick filtering by all your favorites.. Jafar Panahi persiska جعفر پناهی född 11 juli 1960 i Mianeh Östazarbaijan är en iransk filmskapare. Having inevitably had The Circle and Crimson Gold banned in Iran Jafar Panahi again displays disdain for his censors with a righteously provocative criti We might be chafing at the stayathome orders during the COVID19 crisis but Iranian auteur Jafar Panahi has for years endured a similar but far graver.


Jafar Panahi

After several years of making short films and working as . Jafar Panahi Interviews Conversations with Filmmakers Series Kindle edition by Todd Drew. To get around the censorship he posed as a taxi driver to make a funny and captivating . Hänen elokuvansa ovat käsitelleet yhteiskunnallisia aiheita kuten naisen asemaa Iranissa. His latest Taxi is opening in New York after winning the top prize at Berlin. The film was produced despite a ban on . In Taxi Panahi acts as a taxi . His latest film Offside focuses on Irans social ills. Since the death of Abbas Kiarostami Jafar Panahi who long ago worked as an assistant to Kiarostami on Through the Olive Trees 1994 has established himself not only as Irans most widely respected filmmaker but also as one of that countrys most internationally renowned figures. Jafar Panahi alongside his mentor Abbas Kiarostami is considered as one of the most remarkable figures of the second wave of Iranian new wave cinema. The good news is that Jafar Panahi is out. Taxi full title Jafar Panahis Taxi Persian تاکسی also known as Taxi Tehran is a 2015 Iranian docufiction starring and directed by Jafar Panahi.The film premiered in competition at the 65th Berlin International Film Festival where it won the Golden Bear and the FIPRESCI Prize. Jafar Panahi Interviews Conversations with Filmmakers Series Todd Drew on Amazon.com.


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